I had wanted to see The Big Sick since I heard the name and now I want to see it again for the razor sharp dialogue and the insights it provides. And, of course the humour. Love isn't easy. That's why they call it love I thought. Maybe staying untethered isn't all that bad. But at the same time it has given me unrealistic expectations and hope that other than my parents and friends someone significant will stand by me. Spoilers ahead. Would you stand by a very sick if not dying (but the threat is imminent) girl when you have just dated her for a couple of months, and broken up with her because you could see no future with her? Then, while waiting for her to wake up from a coma you realize you are in love, and willing to go that extra mile for her. I know! Truth is always stranger than fiction.Can this happen for real? Isn't cinema the fantasy that we escape to? The ideal. And then I found out that this was the story of the writers Kumail Nanjiani and Emily Gordon around the time they started dating. I was done waiting for Augustus and now here comes this guy. How will real people match up to their standards? I realized that if I have to watch movies and read books I have to believe in things working out, realistic fairy tales in other words, and not be sister grim(m. Emily doesn't magically go back to Kumail because she heard from her parents he was there for her during her illness. She takes her time to figure things out. He was there but she wasn't there there to witness it. In a relationship two people have to be on the same page for it to work out. The intense scenes were done well by Zoe Kazan whereas Kumail Nanjiani looked like he was a throwing a fit or having a nervous breakdown but I have to say signing up with an acting coach was a good idea.Her parents played by Ray Romano and Holly Hunter are superlative as Emily's parents. The jokes about 9/11, ISIS and religion were really out there and it was brave of them to put it in the movie.Family, rejection, heartbreak,the question of race - all so wonderfully handled with humour. I realized as a writer you cannot be embarrassed about using things in your life as fodder in the most obvious way as long as you don't really break someone's heart. I know asking for permission or waiting for it to be granted isn't realistic but you could at least avoid the heartbreak. This was my first white movie which had a Pakistani protagonist (Next will be The Reluctant Fundamentalist which has been on my watchlist since I read the book). The family values are very similar and their expecting you to do certain things or you will be kicked out of the family is quite relatable. India and Pakistan have so many similarities because the germline is the same. Anupam Kher played the father without making it desi. You will know what I mean when you see the film. Ray Romano seemed familiar too but I couldn't put my finger on it and then I found out he's the voice of Manny the mammoth in Ice Age, and later on when I saw Parenthood, he plays a rare character on TV who's a loner and very comfortable in his own skin. Go watch it for the cast if not the subject matter.
Normal People is one of the most uncomfortable books I have read in a while. I simultaneously wanted to stop reading yet wanted to know what would happen next. Sally Rooney’s book is an emotional roller coaster and anxiety inducing. Warning – this is not a romance romance. Trigger warning for abuse, anxiety and depression. Had I known what an intense and disquieting read it would be I wouldn’t have read it now. Who am I kidding! Once I read the excerpt after hearing about the BBC series there was no looking back. I read a few pages of Conversations with Friends (Rooney’s first book) and it’s no beach read either. The last book that caused me to squirm, curl up into a ball and cry was Atul Gawande’s Being Mortal. I didn’t cry while reading Normal People but the sense of unease was palpable.
The spotlight is on Connell and Marianne, and the people they are involved with during different times. You could say they are the leads and the rest are supporting characters which come, and go out of focus as per the requirement. We follow them from high school to four years of college but it seems much longer because of the minute way the book observes them.
They without knowing it save each other from their most destructive selves. A lot of tears (most of it hidden from each other), and of words unsaid due to which misunderstandings abound, but in the end they always find a way to be in each other’s lives. I didn’t look at them as a will they won’t they couple because even when they were apart something kept them connected, and that for me is the beauty of the book, and human relationships.
Their wanting everything to be easy but not being entirely comfortable with the arrangement but acting like they are, is the facade that protects them, and devastates them in equal measure. In short, acting insouciant but caring deeply. It takes too much out of them to appear casual when they would just be happy being who they are.
Someone appears calm or put together doesn’t mean they are. Someone appears independent doesn’t mean they are. What we portray to the world is an image that we want the world to see, the idea we want to present of ourselves, and that acts as a carapace to protect our real fragile selves.
I thought I would nod off to sleep as is my wont with audiobooks but the abrupt ending had me sitting upright. It’s a short book but it will linger on your mind.
Possible spoilers ahead.
Miss me? Not really is the short answer. For the long answer read below.
I do but I don’t want to deal with all the things that follow in your wake. It’s a chore and like blizzards always intense. Why is it never sunny? It was a deadly winter and I need to survive.
Why so many lies or omissions of truth, in your words? Why promises that you won’t keep and had never intended to keep in the first place, made only for the sake of making yourself look good?
I catch myself thinking you would like Inspector Montalbano or tell you that I found peace in volunteering. I wanted to tell you the person who loved me most in the world was dying and ask you what the right thing to do was. But I could never get past how formal and cold we had become. And you had never shown any interest before in spite of knowing the circumstances. So I absolve myself from all guilt.
It doesn’t matter now because I have seen through you. Perhaps there is a price you pay for being
naive stupid. Believing you was my Achilles heel. The amazing thing is the disbelief because I am not usually the kind of person who gets caught up in this kind of drama. You proved me wrong yet again and my only consolation is for everything in life there is a first time (and hopefully a last time).
Why is there never a straight answer but only roundabout clues? It’s a maze I am tired of navigating and red herrings I am tired of dodging. You probably think people have a lot of time on their hands to brood over things. Let me correct you. They don’t. Survival takes precedence. Wading through your mess without complaining, I laugh to myself thinking about it now. Didn’t anyone tell you I don’t even like getting my feet wet and here I am drowning. I don’t even know how I got here. Oh wait you knew I disliked it yet continued to pour water saying it will quench my thirst.
What’s the use of saying pretty please, listen to me? What will I do with it, you selfish pig? Once someone tells you truth, instead of acknowledging it, you wave it aside and walk away only to come back to stomp on their hearts later. I wish you would vanish into the unknown never to be seen. Wait, that’s not completely true. In this age of social media I check if you are alive by stalking you online like normal people.
There are few films where I immediately want to go back to the world it portrayed and my first thought after watching Shoojit Sircar’s October was just that – I have to watch it again. This is not a movie review but a discussion. Spoilers ahead.
For some reason October reminded me of The Big Sick (another movie I wanted to see again as soon it finished) even though the leads Dan and Shiuli aren’t romantically inclined like the real life couple Kumail Nanjiani and Emily Gordon in the former. Perhaps because like The Big Sick, October dealt with something catastrophic happening out of the blue with humour.
I am foolish. I am naive. I am easily irritated. I am moody. I get affected by things which most people shrug off without a care. I am frequently annoying, and have been known to speak out of turn when I should have kept my head down and looked at my feet. I hold on and be direct in the wrong-est of situations, and do things because I want to without thinking of returns in the hope of things working out, even when there’s no chance of it. In short your typical Aries. (No better time than Aries season to embrace who I am.) So I could relate to Dan’s character in the film October more than I’d like to admit.
I don’t believe October is about a romantic relationship. Affection, connection and love are different things. But people have always seen what they wish to see. Although Dan and Shiuli work in the same hotel they had barely interacted with each other outside of work when she was conscious. Most of their interactions are after the accident. Shiuli cannot reciprocate Dan’s affection or repay what he has done for her but he continues tirelessly without hoping for much, a little (flash of) recognition maybe, and, of course, her recovery. Continue reading “October is not a love story.”
A Coldplay kind of day today, and when Death and All His Friends come to your rescue, you listen. It was not all Yellow not by a long stretch but blue and no one will bleed for you or die trying except perhaps your family (their job description since the day you were born) and a few close friends (if you are lucky). So what are you cribbing about, you ungrateful wretch. Get over yourself. Live, thrive, survive (whatever suits you). No one can Fix You except you.
No I don’t want to battle from beginning to end
I don’t want a cycle of recycled revenge
It’s like I heard the song for the first time. For a long time the song was misnamed in my playlist as Lovers in Japan. Isn’t it amazing how a song will be whatever you want it to be in that moment – romantic, cathartic, healing, inspiring and so much more.
Sometimes a song saves you. The memories associated with it, the lyrics or the music itself (words become superfluous and it is the rhythm which carries you through).
Watching This is Us brought Mandy Moore back into my life. For me Mandy Moores’s Cry is not about the lyrics but about nostalgia for me. It is about a bygone era when me and my friends used to read Nicholas Sparks (oh the horror). Now if I see A Walk to Remember (a fate comparable to being inside an MRI machine) I will definitely sob but it will be due to laughing hard and snorting at the dialogues. Thank god we grew up. Idealism has no place in the life of old people. (No, don’t tell me 30 is the new 20!) Youth and idealism go together just fine, complementing each other in envisioning a better future full of realized dreams, lost opportunities nowhere on the horizon and the harsh truth yet to dawn. The blinders come off eventually, either voluntarily or forcefully.
Sometimes humour saves you. Satire, sarcasm, nonsense, black – all shades of humour. Your sense of humour is the most important thing about you, so keep it close and try your best not to lose it in the chaos that is everyday life, unless you live on one of many moons of Jupiter. It might desert you and vanish from time to time but prepare a grand welcome when it reappears. Continue reading “Wanting to be saved”
As we grow older the number of friends we make decreases and sadly so do the number that stay. When I was in school in each corner lurked a potential friend where now lurks a frenemy (Okay acquaintance. I shouldn’t be so quick to judge!). If you can spot it right from the outset, it will save you from a ton of drama.
Friends of convenience aren’t really friends. I can’t make a sweeping statement that they are no one’s friends. May be they are. The fact of the matter is I am too old for this. Being genuine can’t possibly be so hard. One doesn’t always have to put up an act and play stupid games or be peaceable to stop someone from leaving or worse guilt trip someone into staying. Nearly half my life is gone and my energy reserves are pretty limited. I don’t want to put up with negativity which has no basis in reality and only conspires to bring me down.
People who only look after their agendas, and if your agenda doesn’t match with them, they won’t think twice before dropping you like hot coals, aren’t your friends. In fact they will cross your name from their friend list (=people who always help them and put them first) when they know you are not so handy as you used to be or will not relent because the truth has dawned on you (cliched but true). People change as they grow and I too have changed, but in some ways I remain the same. I am less stubborn than I used to be but in some cases I refuse to budge come hell or high-water.
I am not a fan of simpering smiles and false compliments. I’d rather we had a real conversation or you told me what you really thought of me to my face instead of tearing me to shreds behind my back but smiling benignly when I am in front of you. I might burst into tears or I might enter into a shouting match with you but I will never hate you for telling me your truth. (One of the many perks of growing up is realizing that truth has multiple versions.) People who say what they don’t mean and hide under snide comments are not your friends either. The worst of the lot are the ones who try to gloss over things when they really should be talked about in the open. Continue reading “Not goodbye”