The Bookshop by Penelope Fitzgerald

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Some books are meant to be savoured a few pages at a time. Penelope Fitzgerald’s The Bookshop is one of those. With her sparse unadorned prose and economy of words, it reminded me of Julian Barnes’ The Sense of an Ending. I find it hard to believe that this was her second novel but it isn’t hard to believe that it was shortlisted for the Booker. She started writing after 60 and quickly became one of the forces to be reckoned with in British literature. It is one of the few books where I don’t mind having seen the film (brilliantly adapted by Isabel Coixet) first because it was true to the book, and left quite an impression on me.

When I got the book I was disappointed to see the shape the book was in. What did I expect of a copy that’s as old as me and was published in 1978! But instead of returning it, I started reading it that day itself, trying to read it at the slowest possible speed so as to absorb every little detail, every turn of the phrase. I could afford to do that because I had already seen the film, otherwise the book is quite compelling.

Florence is a widow, who plans to open a bookshop with the little money her husband left her, but the locals aren’t keen on it, particularly a high society woman (for the lack of a better word), Mrs Gamart, who wants to open an arts centre in the same place.

We all have that one bookshop in our city where we bought our books growing up, one which has stood the test of time. The place becomes a landmark and holds countless memories because of how it is linked to our formative years. Florence intends to build such a place in the hostile little town she resides in.

It is not a cheerful book but hard-hitting and incisive. It is about a community of people who are resistant to change. It is also about the nature of business and what goes on behind the scenes. Reading about arranging books and the working of the library made me feel a strange wistfulness which quickly gave way to relief. For those for you who have always wanted to open a bookshop or a library, The Bookshop would serve as a real eye-opener.

Understated, loud, quietly menacing, cowardly – all her characters are distinct, and in a slim volume without much background information we still get to know what these characters stand for. At the same time they remain an enigma and you can’t quite grasp why they do the things they do. The book is a masterclass in writing (of show not tell should be her middle name) and one, which will throw up new things on each reading.

Spoilers ahead.

Florence fends for herself and doesn’t play the part of a hapless widow, and that perhaps offends some people more than others. More importantly, she thinks she can do it all on her own because her intentions are good (ha!). Her outsider status adds to her woes. The question here isn’t how much time one has spent in a place but how well one integrates in to the community. To survive is a tricky business as it is.

It’s a peculiar thing to take a step forward in middle age, but having done it I don’t intend to retreat.

Florence appoints bossy Christine as her assistant; a 10 year old who speaks her mind (she more or less hires herself). Christine is outspoken and likes to do things her way. The third child in a household she learns from an early age to fend for herself. She gives the book some much needed comic relief by the way she sees life.

How Christine’s life changes due to working for Florence, and the direction her life took we can’t exactly say, but all deep associations change us, especially with people who are markedly different from us.

The two of them during the past months, had not been without their effect on one another. If Florence was more resilient, Christine had grown more sensitive.

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LGBT YA books by Indian authors

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Dutee Chand coming out as India’s first gay athlete inspired this post. And June is Pride Month after all. What is it about homosexuality that makes other people so uncomfortable, other than the obvious? Love is love, isn’t? But these barriers have been there since eternity in our society where any kind of difference from what is considered normal, is well, considered abnormal. Ask Oscar Wilde who penned the incrediblly moving De Profundis when in jail.  He dared to be himself (and loved the wrong man), and in stifling Victorian society that is an unforgivable sin.

Being a teenager is hard enough as it is, with conflicting emotions about the changes that are taking place in their bodies, and the formation of one’s identity yet craving to be accepted by peers. They could do without society breathing down their necks telling them they have to fit in or or hide who they are which is damaging to their psyche. It is essential to live your life on your terms and be who you are. Life is too short to go about feeling inadequate. If there was ever a time to be defiant this is the time, with the government deciding everything. Things are changing, I agree, but not fast enough, at least in the Indian context.

I have a soft spot for well written young adult literature (perhaps because growing up YA as a genre didnt really exist) and YA books written by Indian authors are still precious. Payal Dhar’s Slightly Burnt and Himanjali Sankar’s Talking of Muskaan are rare books in Indian YA pantheon which deal with the taboo subject of homosexuality in their own way. These books were written when Article 377 hadn’t been lifted. It makes them all the more important because they took a stand when taking a stand mattered.

These books are well written and engaging though very different in tone, texture and style. We have three narrators in Talking of Muskaan and it is comparitively darker compared to Slightly Burnt. The latter embraces homosexuality in a lighthearted way because of the themes it deals with no serious repercussions.  In both the books the worlds the authors have built for their characters feels real.

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Olive Kitteridge by Elizabeth Strout

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First off how good is the minimalist cover of Olive Kitteridge? I really thought I got lucky with this edition not just because I love lighthouses.

I have been delaying talking about Elizabeth Strout’s Olive Kitteridge because I read it within a month of my grandfather’s death. Saying we were very close would be an understatement. At first the book hurt terribly. I thought I knew heartbreak and then life decides to say ha let me show you how you wrong you are! Initially, you want to escape the pain not experience it more deeply. But then the latter is more cathartic in the long run, and you start to heal when you realize this is the way of the world. We are all connected by loss, love and longing.

I was astounded by Elizabeth Strout’s writing. There’s a kind of gentleness about the everyday life she writes about. It is never banal. I never thought everyday life could be written about so poignantly and have such an immediacy to it. Ordinary people, everyday entanglements and normal lives in the hands of a gifted writer makes for a compelling narrative.

Henry Kitteridge, the husband of Olive Kitteridge, reminded me of my grandfather – kind and affable, never wanting to make a fuss and trying his best to be in harmony with what is.

Possible spoilers ahead.

Olive Kitteridge is the portrait of a long marriage and of an only child’s failed relationship with his parents. It is learning that marriage cannot alleviate your loneliness completely even though you are bound together for life. It is about the deterioration and fatigue that sets in old age. It is about finding companionship when you least expect it. It is about tender unexpected love that has no name but which gushes forth without caring if it’s appropriate. It is a deep yearning to be connected yet unable to bridge the gap.

It is about the truth and being straightforward being the kinder way in some cases. It is about the meek and submissive becoming vile when it is they who wield the power.

It is about small things, things of no apparent consequence and almost invisible to others, having the capacity to cause such tremendous heartbreak that it takes you by surprise.

It is about compassion lurking under battle hardened hearts and letting go of judgement, living with everything as is. It is being true to yourself above all because in the end when Death is coming for you, that’s all that matters.

Olive Kitteridge showed me all that and more. I could identify with many things. Things I didn’t know I felt, things I suppressed because they weren’t important in the scheme of day to day living. And there were things I could foresee myself identifying with in the future. When a book does that you know it’s a keeper.

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The Fault in Our Stars

IMG_20180320_221535_EDIT_1I was watching The Fault in Our Stars and I was amazed how it felt like a new film.  Hearing the news of the Bollywood remake has sent me scurrying to the book. I don’t want to imagine the lead actors to see Augustus and Hazel in my mind’s eye. I wish I had never seen the pictures! How are they going to keep the humour and wryness intact in the film is what bafffles me. One can only hope they don’t massacre it. When I watched it I did not know this was on the cards and had John Green not tweeted the news I would have shrugged it off as a rumour.

How did I miss the cameo of author John Green when I saw it on the big screen is equally astounding.  Of course I remember the key points and see some differences (inevitable comparisons to the book) but four years later (it released in July 2014) I can somehow just enjoy what’s unfolding on screen and be at peace with it while racking my brain to remember the exact date I saw it first. (Thank you Gmail for keeping a log of my memories, of tickets booked and the exact expenses.)

Instead of watching a recently released film (there are so many I want to watch) I stuck to an old favourite. Not exactly true, I know, if you have seen a film once but sometimes once is enough to know that you will be returning to it. I know the terrain for a film I have seen before and the comfort factor is of paramount importance when in pain. I know that pain demands to be felt but sometimes distractions help you survive so you may lose a few battles but win the war.

Like there’s comfort food, there’s comfort viewing because with something that is familiar I won’t be in for any nasty surprises and that’s all one needs to get through the day sometimes. For all the unpredictability packed into the day, you need something to hold on to. And it is a bonus when so much time has passed that the film is almost new. The Fault in Our Stars was like a breath of fresh air (pun intended) and I am looking forward to reading the book again. Okay? Okay.

Have you read The Fault in Our Stars or seen the film?

Book Talk – Midnight by Jacqueline Wilson

I found Midnight by Jacqueline Wilson in the book fair and promptly grabbed it. The book was on my list of books (and author) to explore though I am well past the age the book is intended for. What can I say my inner child/teen continues to live on. I have a few other books by her too but this was the one that beckoned me. You know how it is. Some books you have had for ages but they sit on shelves for eons before they get read and a new book catches your eye and gets instantly picked up (I can almost hear all the old books grumble at the newcomer who made it with the least sweat. Unfair life is even books know that!). I can never understand how the timing works. I guess our subconscious knows what it wants at a certain point in life and goes for it.

Violet is naive (annoyingly so!) for a 13 year old. The book was published in 2003 and that’s got something to do with it, I think. It was the time when cellphones weren’t ubiquitous yet and people still wrote letters to authors instead of stalking them or talking about/to them online. Violet adores reclusive author Casper Dream, the author of the beautifully illustrated fairy books and writes to him regularly. She loves the fictitious universe created by him. She draws inspiration from his books and sews fairy dolls.  As you can see she isn’t your boisterous teen but quiet and artistic. Midnight offers interesting insights into the mind of a writer and on creating imaginary worlds which appealed to me greatly.

Violet has two ‘friends’ but she can’t identify with them. Whereas her brother Will is good looking and the entire school thinks he is cool. She looks up to him and adores him in spite of his snide comments and rudeness. Violet and Will are only a few years apart. It is apparent he cares for Violet but he never let’s a chance to take the Mickey out of her go.

Their father doesn’t like Will’s choices, and he in turn is constantly at loggerheads with him. We see Will after he knows a distrubing secret so there could be something to Will’s recklessness. Will is an intriguing character but I was always wary of him. Their mother is a docile woman and allows her husband to run roughshod over her. He’s taken for granted that his wife will do her job, regardless of how he treats her.

Violet’s life changes when the new girl in the school, Jasmine, who cares two hoots about fitting in, takes a shine to her. She cannot believe her luck. She adores everything about Jasmine – her spirit, her house and her family. Best friends fall in love with each other. It is an intense little place and I know that space well. Violet is an oddball whereas Jasmine is a popular kid. Is Jasmine truly her friend or something else is going on?

As I read I felt uneasy about certain things and I can hazard a guess as to how my teenage self would have reacted. The writing is good and the author is magnificent at building an atmosphere. Though at the heart of the story is Violet, a girl obsessed with fairies and fairy stories and the author who writes them, it’s not for younger readers. People expecting fantasy would be disappointed. This is as real as it gets for the intended age group!  I thought it was clever how subtly the  author showed bitter realities of the world which won’t affect younger readers but older readers will see it for what it is.

I like the quirky illustrations by Nick Sharratt which match the dark tone of the book.

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Thoughts on The Ice Queen by Alice Hoffman

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I loved Alice Hoffman’s Here on Earth and I have come to expect lyrical prose and magical realism in her work. I am not a fan of magical realism as such but hers I gobble up like a plate of hot Top Ramen noodles (read the fragrance of childhood). Poetry, magic, fate everything I have never understood and can’t put into words, Alice Hoffman does it with ease like she has done it all her life, which she has, but it always takes me by surprise.

I usually steer clear of misery or negativity in pop culture unless I think I can handle it. And Alice Hoffman should be read when you can handle her prose. Her words pierce your soul. She wrings out emotions and feelings you never thought you had. The storyline is easy to follow but the themes are weighty. The Ice Queen deals with matters of life and death and everything in between that constitutes the business of living. She writes fairy tales for adults but don’t be fooled into thinking that it would be simple or straightforward.

I took the book with me when I was travelling but somehow I could sense it wasn’t the place for it and I read very little. And I didn’t want to read the book at breakneck speed because I wanted to inhabit the words of this book until I absorbed its essence.

Like many reviewers I agree there isn’t an extra word in The Ice Queen. She covers so much in 211 pages. It is a sentimental tale but the ending is unpredictable. At the centre of the story is an unlikeable protagonist – the unnamed narrator, who is a librarian and a lightning survivor. Something happened when she was a child and and she has allowed it to colour her entire life. Lightning has always fascinated me but this scared me, the damage it can do to your system if you have the misfortune to be struck by it. Her character changes in a fundamental way and she sees herself differently by the time the book ends and so did I. Alice Hoffman makes you feel for her and in spite of everything you root for her. Deep down we are all dreamers.

The Ice Queen is a book about life and death, and about love and hate. It is a book about secrets and their power to define us if we let them.

Secrets are only knowledge that hasn’t yet been uncovered… Therefore, they are not in fact secrets but only unrealized truth.

The Ice Queen is about all kinds of love – love between siblings (blood ties can’t be so easily dismissed), love between people who have survived the same thing, love between people who are married and their lives tied together in ways unimaginable and love that remains even when the object of affection has vanished into thin air. (Not literally true but I wanted to use it because I am feeling theatrical today!)

Feel lucky for what you have when you have it. Isn’t that the point? Happily ever after doesn’t mean happy forever. The ever after, what precisely was that? Your dreams, your life, your death, your everything. Was it the blank space that went on without us? The forever after we were gone?

The Ice Queen tells me things find their own way to fruition if it’s meant to be. And to have an open heart and appreciate the present. Nothing I didn’t know but how many of us actually live fully in the present?

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The Heart and the Bottle

Lessons in life from a little girl (real and fictional)

Unexpected intrusions of beauty. That is what life is. – Saul Bellow

There are no words to express the way you feel when you hold the hand of an eleven year old, let her take charge and be your guide. For a few moments I felt like the schoolgirl I had once been, carefree, innocent and oblivious to what the world looked like to grownups. I thought I had left that self far behind but it was hiding in the open underneath the veneer of adulthood. I desperately hope (in spite of knowing that it will) growing up doesn’t rob her of her curiosity.

This child was knowledgeable about the technicalities of photography and that impressed me, I am still an amateur photographer years after professing interest in photography as a hobby. There lies the difference. It is more than a hobby for her. She is passionate about it.

I took to her immediately. Our vibes matched. It would appear strange when I say that because I am a world weary adult (even though I cringe while saying it) and she’s a bright kid. My inner child connected with her and perhaps in her I could see a glimpse of the happy-go-lucky child I used to be.

I have always connected well with children. At the same time, I have been told by my older friends that I am far too mature for my age. I am an old soul with a young heart. And only with a Gemini it won’t be a conundrum.

She was cheerful, restless and bubbling with enthusiasm like children are. It was something I could not have asked for but got in spades interacting with her that day. I was not supposed to meet her but she had come with my friend and how funny it was her that made my day.

The same night I found a book  I had been looking for ages, Oliver Jeffers’ The Heart and the Bottle. I don’t have to tell you that the illustrations are beautiful because it’s a book by Oliver Jeffers. It talks about a girl shutting herself away from the world because something bad happened to her. To live and to just exist are two different things. She allowed grief to overwhelm her and forgot to live until a little girl shows her what she was missing, just by being herself, full of life and not being afraid of the future (the great unknown for most of us unless you are a seer). I was that little girl but I don’t want to be that adult. Finding the way to yourself, and discovering who you are, isn’t that the purpose of life?

Life mirrors art. Art mirrors life. And we continue to live on trying to find meaning in the things we do.

Yesterday I read an insightful interview about Oliver Jeffers’ new book Here We Are which comes out today. The cover looks stunning and I cannot wait to read it.