Mahesh Rao’s Polite Society is a viciously funny black comedy of manners whereas in Austen’s Emma nothing really bad happens. Polite Society is the darker cousin of Austen’s Emma – you know the talons will come out at a point and the characters will get hurt. In Austen’s world, there are allusions but here we see the ugliness that lies behind picture perfect lives. I liked the book for its refreshing lack of morality, and there certainly is no redemption. By now you know not to expect a happy ending. A biting social commentary for the 21st century set in the snobby upper echelons of Delhi, just as segregated as Highbury.
All the characters from Aisha danced around in my head merging with the brilliant adaptation of Emma by Autumn de Wilde (that’s really her name!) plus the original characters from Austen’s Emma which I finished in lockdown (with a little help from the brilliant audiobook which made me feel as if I was listening to a radio dramatization). In 2019 I read a contemporary adaptation by Alexander McCall Smith which was neither here nor there. I had my bases covered, you see.
Ania Khurana, our Delhi Emma, is as vapid as Sonam’s Aisha. (Many people trashed the film but I liked it except for the trite ending.) Ania lives in a bungalow teeming with servants but there’s no one she can be honest with. The paparazzi track her every move. For all her material trappings, she is terribly lonely. Ania is rich but not really the daddy’s girl like Emma was. Ania and her father don’t have much of a relationship even though they live in the same mansion. The affection that Emma lavished on Mr Woodhouse is absent here perhaps because Dileep Khurana appears to be a cold father (it takes two to build a relationship). All we want in life, whether rich or poor, is to be accepted for who we are, and feel a little less alone.
A character I wanted to know more about was Dev (it will always be Abhay Deol in my mind). He has a fleeting presence in the book hovering in the background. He never shouts at Ania just teases her or ticks her off gently (No mansplaining like Mr Knightley). Where Mr Knightley remains superior to all and sundry, Dev’s pursuit of intelligence and appreciation of intellect lands him in a quandary many a time. In short, Dev is Mr Knightley, who has been humanized and hence more real.
Renu Bua is the unmarried older woman modelled after Miss Taylor. She may not be treated with outright contempt but she has a lesser importance both inside and outside the house until she gets married and moves out. Old maids are still a thing. So much for all our modernity.
The author writes women well. (I am always surprised when men write women well!) The characters’ inner motivations are revealed in the chapters given to them which was quite interesting and a departure from Austen’s Emma. You see what they think about themselves, where they are really come from, and how it contrasts with the facade they have built for the world.
Miss me? Not really is the short answer. For the long answer read below.
I do but I don’t want to deal with all the things that follow in your wake. It’s a chore and like blizzards always intense. Why is it never sunny? It was a deadly winter and I need to survive.
Why so many lies or omissions of truth, in your words? Why promises that you won’t keep and had never intended to keep in the first place, made only for the sake of making yourself look good?
I catch myself thinking you would like Inspector Montalbano or tell you that I found peace in volunteering. I wanted to tell you the person who loved me most in the world was dying and ask you what the right thing to do was. But I could never get past how formal and cold we had become. And you had never shown any interest before in spite of knowing the circumstances. So I absolve myself from all guilt.
It doesn’t matter now because I have seen through you. Perhaps there is a price you pay for being naive stupid. Believing you was my Achilles heel. The amazing thing is the disbelief because I am not usually the kind of person who gets caught up in this kind of drama. You proved me wrong yet again and my only consolation is for everything in life there is a first time (and hopefully a last time).
Why is there never a straight answer but only roundabout clues? It’s a maze I am tired of navigating and red herrings I am tired of dodging. You probably think people have a lot of time on their hands to brood over things. Let me correct you. They don’t. Survival takes precedence. Wading through your mess without complaining, I laugh to myself thinking about it now. Didn’t anyone tell you I don’t even like getting my feet wet and here I am drowning. I don’t even know how I got here. Oh wait you knew I disliked it yet continued to pour water saying it will quench my thirst.
What’s the use of saying pretty please, listen to me? What will I do with it, you selfish pig? Once someone tells you truth, instead of acknowledging it, you wave it aside and walk away only to come back to stomp on their hearts later. I wish you would vanish into the unknown never to be seen. Wait, that’s not completely true. In this age of social media I check if you are alive by stalking you online like normal people.
I read Yashodhara Lal’s There’s Something About You about two years ago and had quite liked the book for its unlikely lead pair (What’s not to love about an overweight, clumsy woman and a mild mannered man finding love!) and her sense of humour. Since then the name of the author had stuck. So when I saw Just Married, Please Excuse in the book fair I bought it without any compunction.
Yashodhara (Y) is a drama queen losing her temper at the drop of a hat. Vijay (V) is steady and has a cool demeanor. Both work in the same company and they ‘fall’ in love. I don’t think it’s clearly stated in the book why V fell for Y. Complete opposites in every which way, they belong to different generations (a 7 year age gap), and have different backgrounds (big city girl and small town boy). They also have different world views and ideologies unable to agree on anything except their love for each other. With possibly the shortest courtship in the history of modern romance, they jump into matrimony because V is getting older. He pesters the reluctant Y to say yes within months of going out. Yes, that is how it happens. No, I am not exaggerating.
How is 30 old (unless of course you live in a small town like me)? Isn’t 40 the new 30? Are we still living in the 21st century? That is the beauty of living in India. You can simultaneously experience many centuries in one lifetime.
V wanted to know Y’s caste before approaching his family but he assures her it won’t matter. Y on the other hand has no clue about her caste. I would like to say casteism is regressive and has no place in the society but having seen the matrimonial columns, and living in the society with my eyes and ears open, I have seen caste rear its ugly head more often than I’d like to admit.
When I was asked to review Nandhika Nambi’s Unbroken, I jumped at the chance of reading a book from the perspective of a teenager who is in a wheelchair. I had seen how the lives of paraplegics are in the movie Guzaarish and the book Me Before You, but they weren’t narrating their own stories like Akriti does in Unbroken. And I have a soft spot for YA so here I’m. The first person point of view has its limitations but here it is an advantage; we go straight into the heart of the matter. If you are expecting a story where everything works out in the end and Akriti miraculously recovers, then this is not the book for you. Her disability is permanent and she has to find a way to live with it. Akriti is in 11th standard. She is sarcastic and spews out hate on the world unable to come to terms with her condition. She is mean and cruel, especially to people, who are sympathetic to her. She could have been a normal grumpy teenager but the inability to do the simplest of things for herself, and having to depend on others, makes her angry.
I hated taking people’s help.
Akriti’s life is now divided into a before and after the accident where she lost the use of her legs. Life as she knew it was over. The sooner she accepts the reality and stops dwelling on the past, and focuses on getting the help she needs in the present, the better she will deal with the reality. Unbroken shows that to completely heal, you have to go inward and face your deepest fears/demons.