Kiran Khalap’s Two Pronouns and a Verb is essentially the story of three friends and how they shape each other’s lives.
Who am I? Two pronouns and a verb, make up the most important question in our lives and this book doesn’t attempt to answer that for you. It’s a novel not a soul consciousness app that will help you achieve the zero state or whatever state is the most exalted! But yes, it attempts to do so for the two male protagonists : Arjun, a quiet and sensitive child with a finger on the pulse of the universe and Dhruv, a physically assertive child ready to fight at the slightest provocation. They grow up, both together and apart, and realize that true reality only shows its face when you question your illusions and see beyond them. The female protagonist, Eva is a happy-go-lucky German who came to India as a teenager with her mother (who was looking for salvation). She quickly adapts to the culture and becomes a part of the group.
Some thing fundamentally changes when Eva chooses one over the other while giving both the idea that she loves them. And maybe she did love both of them but two loves are never equal. Maybe I am too bourgeois in my thinking but you cannot claim to romantically love two people and be faithful to them at the same time. It causes a rift between Arjun and Dhruv, and this event changes the course of the story.
It went off to a promising start and I really wanted to love this book, which I did, but in places. It wasn’t a constant love, the prose was the opposite of flowing and loaded with adjectives and adverbs. And also the question the book opens with, and the answer we are supplied at the end-it was predictable, which was a letdown.
In some lines the dream like (magical realism?) narration worked but in entire paragraphs, it was jarring. Some lines made me take a look at my life or question previously held beliefs and hence it was a slow read. Also, the prose hung heavy on me. While Arjun was introspecting so was I. When Dhruv burst into angry flames, I questioned why some things anger me so. Eva was without any expectations from life, unsullied by even violence, which astonished me. I was really disappointed that she didn’t grow much as a character. She doesn’t realize any greater truth. Maybe some people are that constant and unwavering and, hence are more stable.
I liked how the chapters were named, revealing a little of what is to follow, beckoning the reader into the story.
My favourite character was Arjun. I loved the way he viewed the world, as a vast interconnecting web and the bond he shared with all living beings.
In the book, Marathi words were not italicized. Some things cannot be translated, I agree, but for people who don’t know Marathi, a glossary at the back or their meaning in English beside the Marathi words would have been helpful.
As a person who loves the art of photography, I loved the bits about Arjun learning photography. He excelled in it due to his ability to connect seemingly unconnected things and his childlike way of looking at the world. Seen through his eyes, inanimate things reveal a pattern and animate beings speak to him because he understands the frequency at which they function.
Two Pronouns and a Verb, along with a few other books, will always be special for me because I bought them while I was in the midst of the book publishing course – with all the ideas zooming in my head about how a good blurb and cover can make or break a book. I picked up this book because the title was intriguing (for a novel), the blurb was interesting (even if it didn’t do justice to the story inside) and the simple cover added to the charm.
If you want something easy and light don’t pick this up. The story has bits of Ayurvedic philosophy, the Naxalite movement, atonement through renunciation, downtrodden tribals and their way of life, and people (should we call them equalizers?) fighting for their rights and a friendship that endures.
Some quotes from the book that I managed to copy and lost many others that stood out.