Wild Child and Other Stories by Paro Anand

Wild Child and Other Stories contains stories about teens dealing with issues that they grapple with. Paro Anand’s earlier book School Days which I thoroughly enjoyed was about tween’s issues but this one is so much darker because of the themes it deals with. Teens are unruly, difficult and moody but always in the need of love, both tough and tender.

This is an award winning book but why does it have such a bad cover? I mean come on, YA audience is used to being treated better all around the world. So glad it has now been re-released by Penguin India as Like Smoke which has 20 stories.

The title story Wild Child deals with a girl who is always bunking school (I had read an excerpt and decided to buy the book), vanishing somewhere where no one can find her. Intent only on punishing her, the elders make no enquiry or try to find out what is the matter with her. The answer when it comes, sheds light on her behaviour. People who deal with children need to be more aware and open, not to mention perceptive, to catch what is really the matter.

This is Shabir Karam is about children whose parents have been killed in Hindu- Muslim conflicts. Kids from different religions live together in a home but they have no love lost for each other. How children, who have no clue what religion is, are caught in the crossfire of hatred and bigotry will make you very uncomfortable.

Children are vulnerable, yet to form their opinions and adults, who are in a position to influence it, do grave disservice to them when they do it to meet their agenda. It makes children easy targets. Early childhood trauma is not something that can be reversed and their childhood is lost somewhere.

They Called Her ‘Fats’ is about an unruly, unfriendly and angry girl. Fatima has no friends and the children in the school spread vicious rumours about her. It is not only adults but children also fear what they don’t understand, and Fatima doesn’t make it easy for anyone. The sports teacher sees the potential in her when she throws the javelin.

Very few people are lucky to find  something that channelizes what they have inside them. It just takes one person to believe in you. What makes the story riveting is that it has roots in reality.

Santa’s Not So Little Helper is in a lighter vein. A boy who writes a creative writing piece in class about being part of Santa’s family. It is funny and did take me back to my school days but it didn’t quite fit in this collection.

In Jason Jamison and Ia star tennis player with swoon worthy good looks is troubled inside. The perfect exterior is a facade. He is the new boy who defeats the old reigning champion. Looks can be deceiving (quite literally) and friendship can spring up in the oddest of places between unlikeliest of people.

Mixed marriages are taboo in India and it is the worst when it is a foreigner. When the marriage doesn’t work out the family is left in the deep end, shunned by the society. What is the child’s fault? But he or she is the one who has to bear the brunt of it.

Hearing My Own Story talks about abuse that goes on inside the house. Physical and mental abuse is a reality for many married women. They have no clue that they can walk out of their abusive marriages and claim compensation. But the ground reality is murky and in India where marital rape isn’t a crime, women are helpless. The social fabric is at fault. Both people, outside and inside the home tell you to keep mum. 

Like Smoke was gut wrenching but felt short and abrupt. Maybe that is what the author wanted to show, how living in terrorist climes is, with bombing and shooting being everyday affairs. How uncertain and fragile their lives are with the threat of death looming on the horizon.

It makes you think about what is really being done about the situation in Kashmir. The militancy is destroying the lives of so many people, who are easy targets because they refuse to leave their motherland; it is the civilians who are paying the price for the unrest. Continue reading “Wild Child and Other Stories by Paro Anand”