Category Archives: book talk

Thoughts on Girl with a Pearl Earring

Girl with a Pearl Earring was an intereseting read considering the fact that I had seen the movie years back and quite liked it. It was a pleasant suprise because I hadn’t quite warmed up to Tracy Chevalier’s The Lady and the Unicorn which was my introuction to the author

Spoilers ahead for the book and the movie.

It is 1665. The story is told by sixteen year old Griet who comes to work as a maid in the Vermeer household to support her family. Vermeer, the artist, takes a fancy to her because she understands art.

The house is run by the the matriarch, the wife’s mother who single-handedly managed the household. Although Vermeer was a good artist he was not the best man to provide for his family. Vermeer worked at his own pace. He was moody and temperamental even though the entire house was in debt and his paintings were the only source of income.

Life was tough in a way the population with access to modern healthcare wouldn’t understand. There was no method of contraception and it was one baby on the way after another whether you can afford it or want it.

Griet was a strong character for her the times she lived in. The name Grit would be apt for her because she is gutsy and resilient. She is sharp and observes things which would elude a casual onlooker.

I was delighted to see Antony van Leeuwenhoek in Girl with a Pearl Earring. He was Vermeer’s friend. I was happy to see a microbiologist in a novel about an artist. Seeing Antony van Leeuwenhoek as a character took me back to my student days.

I confess I had never heard the term camera obscura before. Shameful because I call myself an amateur photographer (the amateur bit does take the sting out of it). Of course my grandpa knew what camera obscura was. He was an engineer and a photographer, and unlike me a person who understands technicalities well.

A painting which isn’t a painting. The word photograph is yet to be invented because the camera hasn’t been invented yet. What a world it must have been. Since something cannot be captured there is no choice except to draw or paint what fascinated them.  A while ago I had read Julian Barnes’ Levels of Life where I got a peek into a world where photography was being invented.

It is not new wanting to save memories which have an impact on us. The word nostalgia means a great deal to us humans. Hence the need for keepsakes. When we write we do the same thing. Capturing a moment, a place, a situation, an experience, a time.

It was fascinating the way he tried to make Griet a part of his life – in charge of cleaning his studio, making her understand what an image was. He valued her opinion sensing her intelligence. He allowed her near his beloved colours, to make them, to buy them. He trusted her with his art, he took her suggestions into account and respected her opinions. Intellectually he treated her differently from a maid but the class difference remained. He was in a position of power so he did order her about and forced her to do things.

It’s interesting to see the interplay between their characters, Vermeer and Griet, the artist and the observer who later on becomes the subject. Griet is unusually quiet but she challenged Vermeer in her own way. She played many roles – muse, helper, and model. The relationship of the muse with the artist is fraught with complications and has no clear boundaries. Where does feeling stop and art begin? Can one draw in a completely detached manner from the subject? Would the essence be conveyed? The artist moves on. What of the muse who is caught up in the process unknowingly? Is the subject or the muse (in this case the same person) allowed to feel or have a say in how she is going to be portrayed? All these questions came up while reading the book and I don’t have any anwers.

The book gives us a picture of her life after she leaves the Vermeer household unlike the movie, which shows no clear resolution and leaves it to the audience. The movie shows more moments between them, paint a more romantic picture than it really is. Griet’s family makes her a well rounded character in the book but her family barely makes an apperance in the movie. The movie has more dialogue naturally as opposed to the book in which silences abounded.

A world of restraint, of veneers and facades. The beauty of the book and the movie is in its restraint, in the things left unsaid.

Have you read the book or seen the movie?

 

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Girl with a Pearl Earring spotted at a book fair
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Lessons in life from a little girl (real and fictional)

Unexpected intrusions of beauty. That is what life is. – Saul Bellow

There are no words to express the way you feel when you hold the hand of an eleven year old, let her take charge and be your guide. For a few moments I felt like the schoolgirl I had once been, carefree, innocent and oblivious to what the world looked like to grownups. I thought I had left that self far behind but it was hiding in the open underneath the veneer of adulthood. I desperately hope (in spite of knowing that it will) growing up doesn’t rob her of her curiosity.

This child was knowledgeable about the technicalities of photography and that impressed me, I am still an amateur photographer years after professing interest in photography as a hobby. There lies the difference. It is more than a hobby for her. She is passionate about it.

I took to her immediately. Our vibes matched. It would appear strange when I say that because I am a world weary adult (even though I cringe while saying it) and she’s a bright kid. My inner child connected with her and perhaps in her I could see a glimpse of the happy-go-lucky child I used to be.

I have always connected well with children. At the same time, I have been told by my older friends that I am far too mature for my age. I am an old soul with a young heart. And only with a Gemini it won’t be a conundrum.

She was cheerful, restless and bubbling with enthusiasm like children are. It was something I could not have asked for but got in spades interacting with her that day. I was not supposed to meet her but she had come with my friend and how funny it was her that made my day.

The same night I found a book  I had been looking for ages, Oliver Jeffers’ The Heart and the Bottle. I don’t have to tell you that the illustrations are beautiful because it’s a book by Oliver Jeffers. It talks about a girl shutting herself away from the world because something bad happened to her. To live and to just exist are two different things. She allowed grief to overwhelm her and forgot to live until a little girl shows her what she was missing, just by being herself, full of life and not being afraid of the future (the great unknown for most of us unless you are a seer). I was that little girl but I don’t want to be that adult. Finding the way to yourself, and discovering who you are, isn’t that the purpose of life?

Life mirrors art. Art mirrors life. And we continue to live on trying to find meaning in the things we do.

Yesterday I read an insightful interview about Oliver Jeffers’ new book Here We Are which comes out today. The cover looks stunning and I cannot wait to read it.

I Capture the Castle

While reading I Capture the Castle I thought it could be adapted into a very good play because the antics of the characters would have people laughing out loud. And Google told me that it has already been done. I recently saw the movie after reading the book and here I talk about them both. You have been warned!

I wish I had read this book as a teen, I would have been bowled over by it. The book is a tad wordy (I only felt that when she was describing the castle too much). No wonder she admired Julian Barnes’ masterful economy of words.

The Mortmains are a crazy bunch. The writer and father James Mortmain’s creative juices seem to have run out after one successful book. The family lives in genteel poverty in the hope that one day he will produce another masterpiece. Topaz, is his loyal wife, and eccentric but beautiful stepmother to his three children. She communes with nature to keep her sanity and needs to be a muse to exist. They live with their daughters, Rose and Cassandra, and their little brother, the studious Thomas. They are joined by Stephen, the son of their dead housekeeper who does chores around the house.

Cassandra, the younger sister, is like Elizabeth Bennet in the sense that her mind is not on matrimony unlike older sister Rose. Like Austen, her mind is on literary pursuits. She dreams of becoming a writer like her father which one would think is surprising because of the example he has set. So she writes diary entries for practice to sharpen her claws prose.

Poverty doesn’t bother Cassandra as much as it bothers Rose. Cassandra takes refuge in writing and hence she is saner (she believes that). Even though Rose is the elder sister, it is she who is childish in her ways, demanding things that she knows are impossible.

In spite of her father’s example Cassandra wants to be a writer (natural proclivity?) like her father. Both the sisters don’t do any housework – it is shared by Topaz and Stephen. The onus of earning money is on the menfolk. Published in 1934, the book appears dated because of the time period it is set in. The men and women were defined by set roles, rigid and fixed by society.

There’s talk of Bennets (from Jane Austen’s Pride and Prejudice) in the beginning, and Rose is hell bent on marrying the first rich suitor that comes a-knocking to get out of poverty even if she doesn’t love him. And that is where Simon Cotton comes in.

Cassandra is a precocious narrator (I would never call her ‘consciously naïve because I don’t know what it means!), who wants to be a writer and is always recording things that happen in her life in a notebook. This was at a time when paper is scarce, and there was no electricity in the castle, mind you. She lives in her head (like most writers) which some times makes her miserable, and she has no understanding of how the world works that adds to the ensuing drama.

The way the story is narrated (Aren’t epistolary narratives the best?) by Cassandra through her journal entries, it puts us right in her shoes.

They live on the castle on a lease and haven’t paid the rent in a long time. It is when the owners arrive, the Cottons from America, the story takes a different turn.

A few pages in I knew why I Capture the Castle is a cult classic. It seems like a fairytale in the beginning with very good dialogue, and the setting but the ending is ambiguous and quite realistic, open ended which is quite a departure for books written in those times, especially for the kind of story it told.

The book will give you a bad case of the giggles, whether you are reading in public or in private. I tried to keep the wide grin off my face to appear respectable (read not look like a complete idiot in the park where I have maintained over the years a very serious no nonsense persona) but the narration by Cassandra is such that you will fail.

A story where the women decide who, where, and when they want to end up with someone (if at all), and choose to walk out of marriages when it doesn’t work the way they want it to – it would have been groundbreaking for the time it was written in.

So many things have been talked about in this book without being self conscious, which would have otherwise made reading it a tedious affair. It touches on poverty, nudism, religion, psychoanalysis, distinction between the classes, and a very real portrait of a marriage and family. Also shows us a portrait of an eccentric writer, artistic expression and the way genius works (or doesn’t work) and what the people living with him have to put up with.

The book destroys many idealistic notions of love. The teens reading it will have a realistic idea about consent, love, longing, heartbreak and infatuation; they are different things whose boundaries sometimes overlap. The book drives home the message that it is okay to make mistakes. And most importantly it is okay not to find the love of your life the first time around.

The social observations  the book makes and the way Cassandra views the world, it is true what another reviewer said and what I had felt from the beginning – it’s Austen for the 20th century. Continue reading I Capture the Castle

Thoughts on rereading The Sense of an Ending

Before reading

This year I am going back to The Sense of an Ending. I have never read it after I read it the first time because I didn’t own the book then. Years later, when I do own it, I still haven’t read it yet. A lovely paperback, I kept putting it off  and saying to myself that the timing wasn’t right. What was stopping me? Is it fear of failing the book or thinking it might not stand up to the first delirious experience or spoiling something untouched by revisiting it?

Anyway I’m rushing to finish it before I see the movie, that is, if it does release in the small town where I live.  The release date being pushed off multiple times isn’t a good sign. On the plus side (if it can be called that) there will be a gap between my rereading the book and watching the adaptation. (Update – After postponing the release date week after week, it finally didn’t release here.)

A little bit of history.

Circa 2012. We were at Oxford bookstore together one evening doing the usual – hunting books, catching up, not exactly carefree students because adulthood was rearing its ugly head, but we were less attuned to the ways of the world, and more dreamy, assured that like in books, things will work out for us. When we spotted the hauntingly beautiful book cover and read the title, we were sold. Also, The Sense of an Ending was thinner than most prize winners hence, much less likely to bore us to death. The hardback was a thing of beauty and my friend bought it. She immediately read it and passed it on to me. I read it even though final exams were knocking at my door. Needless to say, it was a great read.

Now you know why I have been putting it off. What if my expectations won’t do it any justice the second time around? It’s crunch time. Time to dive in. Five years later we will see where we stand and how good is my understanding of the book. And what new I can take from it.

After reading

Five years later it is both new and familiar at the same time, though at different places. There is more philosophy than I remember but the prose is sparkling. I might be biased here because I am a fan of his work and will probably read everything he writes. Each word packs a punch. The Sense of an Ending has to be read very slowly, and has to be read many times to understand everything. Even then something would remain beyond reach because Veronica’s character remains an enigma from start to finish. She keeps  mum instead of expressing what bothers her at any given point in time.

The Sense of an Ending teaches you to live with grey. It is something I have trouble coming to terms with, even today. All the characters are unlikable. This time around I observed that the tone of the book is unforgiving, to the point of being acerbic.

Continue reading Thoughts on rereading The Sense of an Ending

I Kissed a Frog – tales of friendship and love

Rupa Gulab’s I Kissed a Frog is a cool book and I don’t know why I hadn’t heard about it before. Living under a rock the size of Antarctica isn’t the answer, isolation from fellow bookworms is. Not many book nerds around ergo even less bookish discussions because apparently everyone has a life. Sniff. As if I don’t. My idea of living it up is just different from most of y’all.

Never judge a book by its cover or the colour of its cover. Or its title for that matter as it is completely misleading sometimes. I am a woman but I despise Rani Pink and no, you cannot change my mind. It took awhile for me to pick it up because of my reservations. I eyed it warily in the book fair many times before picking it up and reading the blurb, then surreptitiously googling. What! I have loads of unread books and no space to keep them. I have been shallow before and bought books because I loved their covers. What will you do? Disown me and banish me from sisterhood? No can do. Once a woman always a woman (or so I have been told).

Google told me that the reverse fairy tales are supposed to funny, so picked it up, and read them first. They subvert stereotypes sure and these modern fairytales, from Rapunzel to Cinderella, were interesting but they didn’t hold my interest. They were too short to make a real impact but I loved the accompanying cartoons. I would like to read them again, preferably out loud to my sister (that is if she can stand my grating voice and is willing to waste precious time) so that we can both have a good laugh.

The stories in the book are divided into three parts – love, friendship and fairytales. As you know I read them in reverse order.

Continue reading I Kissed a Frog – tales of friendship and love

Tagore’s The Post Office and the living

I lay on the bed
for the better part of the day 
looking listlessly  out of the window
the wire mesh blocking the view
partitioning the sky into small squares.
Sleep eluded me
pain overpowered me
I longed to die.
I felt my heart thudding
hanging on to dear life.
Death laughing sardonically
watching with cold glee
whispering in a thin voice

your time is yet to come.

Continue reading Tagore’s The Post Office and the living

Simply Nanju by Zainab Sulaiman

10-year-old  Nanju  wears a diaper to school and hobbles around as he has crooked feet. He lives with his Appa and older sister Shanti. He doesn’t pay attention in class and regularly scores zero but manages to hide the evidence from his father, who threatens to send him to a hostel. Happy in his world, nothing seems to bother him much. His best friend is Mahesh, who is terribly clever and lets Nanju copy all his answers. He gets by with a lot of help from his friends.

When I was reading Simply Nanju many people commented on the lovely book cover. The face of an innocent child with an endearing smile, who can resist that? (People who have hearts of stone, that’s who!)

It is business as usual in school with petty rivalries and merciless teasing, greeting teachers in a singsong voice, and the class turning into a fish market when the teacher leaves the class momentarily. Class topper Aradhana’s notebooks vanish and return days later in a shoddy condition. Nobody knows who is behind it and Nanju makes it his business to find the culprit when fingers are pointed at him. Mahesh and Nanju, though not quite Holmes and Watson, set out to solve the mystery. Do they manage to find the thief who isn’t a thief? Read Simply Nanju to find out. Continue reading Simply Nanju by Zainab Sulaiman

Anuvab Pal’s Chaos Theory

A love story by any another name is still a love story, especially one masquerading as friendship. Don’t believe me? Read Anuvab Pal’s Chaos Theory, and if you come away thinking they didn’t love each other, I promise I will refund your money for the book (if that isn’t possible you can throw the book at me). Mukesh and Sunita meet each other in college and they stick together through decades but not in the way you’d imagine.

They hover around each other all their lives and mind you, this was an era before the internet, and cellphones became commonplace, when keeping in touch was much harder and people actually wrote letters and made phone calls. What bound them together all their life, through different continents and their respective families? To find out read the book or watch the play. Didn’t I mention? It was originally a play which was later adapted into a novel by Pal himself. I am dying to see the play and hope they revive it so I can see it in this lifetime.

Head here to read what I thought about the book. Continue reading Anuvab Pal’s Chaos Theory

The Purple Line

Six Indian women from diverse backgrounds as different from each other as chalk and cheese. What could they possibly have in common? What could a childless performance artist, who likes inflicting pain on herself, have in common with a young Muslim house wife, who was taken out of school the day she had her period, and married to an older man? What could an anaemic housewife afraid of delivering a girl child have in common with a beautiful computer programmer, who is looking forward to complete her family? What could an artist working in an advertising agency, who yearns to have children, have in common with a pregnant teenager distraught at the news of her pregnancy?

Unaware of each others’ existence they are bound by a common thread – they see the same gynaecologist, Mrinalini. She serves not only as their doctor but as a woman and a confidante, who helps them take decisions that are best for them whether or not they appease their families (or the collective social conscience). This is a story of the people we see everyday. I had read the book years ago, and rereading it again, I felt it was a more universal story – the story of every woman. Continue reading The Purple Line

Reflections on reading The Wife’s Letter

Coming home to Tagore is always a revelation. I have probably owned this fine collection of short stories for over a decade now. My aunt had funded it when she saw me lurking in the aisle of the book corridor in Big Bazaar back when it still sold books, along with stationery. How little I must have understood of women’s plight and their predicaments, when I was a teenager if not a child, is dawning on me now. A great story is that which reveals itself anew whenever you pick it up to read. In short something which has repeat value. Tagore is a genius; every sentence has its place and importance in the narrative.

I never pick up Tagore lightly because I can never shrug off his words casually and carry on with my life pretending to be unaltered when the soul has registered change. Reading Tagore needs complete involvement of the brain and the heart, and I need to be on stable ground otherwise it would be tough to balance the emotions when I’m on uneven terrain. The emotions generated on reading the text will overwhelm me and teetering on the edge of a precipice isn’t good for my health.

Reading The Wife’s Letter I had to stop at a few sentences to completely understand them (I am not sure if it is brain fog or ageing in action) and compare it to the real world experience I have had in the last decade. My first hand experience might be very limited but observed or heard second hand experience is so much more. Women talk. Women share. Stories of friends, acquaintances, neighbours, stories from the media. A woman has empathy for all the women of the world (barring duplicitous mother-in-laws and conniving frenemies).

There is no doubt about that Tagore understood the female psyche and portrayed it in his writings better than any man could. I am really looking forward to reading another translation of Chokher Bali soon. Continue reading Reflections on reading The Wife’s Letter