Let me make it clear from the outset The Sense of an Ending is not a film you watch while munching popcorn. It is a very quiet movie and every sound is important. It is also not a film you watch with giggly friends (it is not a hangout movie). Of course the name is a dead giveaway.
Ritesh Batra has done a commendable job on adapting The Sense of an Ending into such a lovely film. Philosophical and minimalist like the book but he has redeemed Tony Webster, the unlikable protagonist at the center of it. I love that it ends on a good note, quite unlike the book which ends with unrest (and a punch to the gut). Because Barnes does not believe in redemption. A crusty curmudgeon who sees the error of his ways late in his life but that he does is enough. The film ends with hope and you carry that into your life.
The film flits effortlessly between the past and the present like the book. Nothing is spelt out in the film too, and if you can believe me, it is more enigmatic than the book; you have to read between the lines and carefully observe what is unfolding on screen to get the complete picture.
Jim Broadbent (Prof. Slughorn!) plays the retired Tony Webster. He is given a profession here as a camera shop owner unlike the book. He does something constructive with his time other than ruminating on the past, and ruining his present by trying to imagine how different scenarios would have played out. It’s what we all do from time to time but allowing it to take over your life is foolishness.
Tony was delusional, unable to see things as they are; he couldn’t see it when Veronica was his college girlfriend and even now when he is an old man. Like Tony, most of us just bumble along in life and try to do the best we can. When the truth finally dawns on him, he is shattered but picks up the pieces and endeavours to do the right thing in his own way. But one’s right is another’s wrong. Continue reading The Sense of an Ending (film)
I saw Speak a while ago, the movie adaptation of the very acclaimed book of the same name by Laurie Halse Anderson, starring Kristen Stewart in the lead role. Despair not, it’s nothing like Twilight (to be fair to her, Twilight fans say that’s how Bella is, in which case excellent acting ) where she has only two expressions (longing and longing) but it doesn’t translate into emotion. She is so much more than a pretty prop. Incidentally I knew that she can act having seen her in the bit role I had seen her in Into the Wild (one book I must get back to again). She emotes with their silence which speaks volumes. The movie does justice to the absolutely brilliant YA novel that deals with teenage rape and depression, alienation as a result of it, very serious issues which parents, teachers and the society at large will rather not admit exist, forget dealing with it. I kept remembering stuff from the book, the lines from the book in the screenplay and the things they missed.
I always follow this rule of reading the book first if I can help it. Like most book lovers or bibliophiles (I don’t mind what you call us, we are what we are) if I know the movie is adapted from a book I prefer to read the book first (I had to wait for long periods for reading Speak) and it has always been rewarding because I get to build the world created in the book, and that joy every book lover knows. Of course on the minus side the movie usually (I thought of using the phrase ‘more often than not’ but now that I have read On Writing I feel King’s watching me) falls short of expectations, except the adaptation of To Kill a Mockingbird.
I don’t know why so many people look down on YA. Trust me there are many. What you read popular fiction?! The term pop fiction is even more hideous. What’s wrong with the term contemporary fiction? Other than classics and books written by dead writers everything else they look down upon. Book snobs! They deal with real things in a real and sometimes not so grim manner, and do not put people to sleep so that their target audience actually does read and understand it. I was absolutely bowled over by Speak. Anderson is brilliant in the way she captures the voice of a teenager on the precipice of completely losing her sanity and spiralling into a quiet depression, and sinking into it but for her art teacher who gives her something to do that she enjoys, hence something to live for and she looks forward to stay in the land of living day after day.
It was first published in 1999 and five years later the movie followed in 2004. At first look the movie appears to tread a familiar territory because we have seen so many high school movies but it couldn’t have been farther from the truth.
The book cover had intrigued me for a long time and I took some time to be convinced about the story- I did not want to read about another victim who had thrown her life away. I liked Laurie Halse Anderson’s website, read her blog, bought the book and absolutely fell in love with the cover again, one of the most beautiful covers ever and waited. I believe every book finds you at just the right time. Another way of saying it unless I feel compelled to read something I don’t read it. I read it and it was literally life altering. The author interview at the back gave me some background to the book and the furore it created after its release.
She deliberately goes mute chooses not to say a word because when she tries to speak out the truth about what happened that summer nobody listens. It gnaws at her inside and she changes from a girl who lived life to just existing. She finally speaks out and she is the one who helps herself climb out from the horrific past and begins the process of acceptance as she tells herself that there is no point denying what happened. She is never going to forget it and the best way to deal with it is to confront it head on, which would someday eventually lead to healing.
The book is a must read. How come it doesn’t top favourite lists here isn’t exactly a surprise to me, it is because of the themes it deals with. I highly recommend it. Speak the book is more powerful than the movie. I will be talking about the book again soon. It’s been calling out to me again. Time for a reread.
You have to know what you stand for, not just what you stand against.
You can’t speak up about your rights and be silent.
You need to visit the mind of a great one- Picasso who saw the truth and ripped it from the earth with two angry hands. If something is eating at you, you have gotta find a way to use it.
A revolutionary is only as good as his analysis. Why? We should be able to shout out how things can be better.
I found Here on Earth in a book fair I shouldn’t have gone to but went and, if gone, I shouldn’t have bought anything which was not on my to-read list, but I did (or so I thought). I saw the cover and it instantly jumped out at me. I looked inside to convince myself to buy it, and off went my resolution. Finding it was accident, serendipity or chance, I don’t know. Neither did I know that I would read it over that weekend abandoning another great nonfiction book I was reading. The name seemed familiar but I couldn’t put my finger on it till I came home. It was on my Goodreads to-read list. To think I had added it three years back and it has landed on my shelf only now, without me ever searching for it makes me want to attribute it to fate but I doubt Fate bothers itself with such puny things. Happenstance more like.
I never thought I would like magical realism, and lyrical prose usually annoys me but this was different. In a way it reminded me of The Last Song of Dusk, a book I had liked but I wasn’t too keen on reading something like that in the near future. But a fair warning, this is not a romance. It is a cautionary tale of doomed love and obsession.
When we are young we believe in so many unrealistic things, like living in a fairytalish world, where everyone gets what they deserve, and every thing works out in the end. Alas, reality isn’t so simple or straightforward. It doesn’t matter if something is fated or not. It’s how we deal with what has happened and what we ultimately do.Here on Earth makes it amply clear.
There was a line in the book, which I cannot find now (I didn’t stop to copy lines until I was near the finish line), about lions and lambs being warm blooded, which chilled me to the bone. They are not as different as the world makes them out to be. Predator and prey are their ecological roles but they belong to the same class (Mammalia). How could I, a student of biology, not have considered this fact before.
Alice Hoffman’s descriptions are otherworldly but felt so real that you want to believe every single word, and hope it doesn’t break your heart but it does. A thing which isn’t real can feel realer than the everyday reality (that we mostly choose not to dwell on). That is the power of fiction written from a honest place; I am surprised every time it shakes me up and makes me see things anew. Continue reading Thoughts on the characters in Alice Hoffman’s Here on Earth