Miss me? Not really is the short answer. For the long answer read below.
I do but I don’t want to deal with all the things that follow in your wake. It’s a chore and like blizzards always intense. Why is it never sunny? It was a deadly winter and I need to survive.
Why so many lies or omissions of truth, in your words? Why promises that you won’t keep and had never intended to keep in the first place, made only for the sake of making yourself look good?
I catch myself thinking you would like Inspector Montalbano or tell you that I found peace in volunteering. I wanted to tell you the person who loved me most in the world was dying and ask you what the right thing to do was. But I could never get past how formal and cold we had become. And you had never shown any interest before in spite of knowing the circumstances. So I absolve myself from all guilt.
It doesn’t matter now because I have seen through you. Perhaps there is a price you pay for being
naive stupid. Believing you was my Achilles heel. The amazing thing is the disbelief because I am not usually the kind of person who gets caught up in this kind of drama. You proved me wrong yet again and my only consolation is for everything in life there is a first time (and hopefully a last time).
Why is there never a straight answer but only roundabout clues? It’s a maze I am tired of navigating and red herrings I am tired of dodging. You probably think people have a lot of time on their hands to brood over things. Let me correct you. They don’t. Survival takes precedence. Wading through your mess without complaining, I laugh to myself thinking about it now. Didn’t anyone tell you I don’t even like getting my feet wet and here I am drowning. I don’t even know how I got here. Oh wait you knew I disliked it yet continued to pour water saying it will quench my thirst.
What’s the use of saying pretty please, listen to me? What will I do with it, you selfish pig? Once someone tells you truth, instead of acknowledging it, you wave it aside and walk away only to come back to stomp on their hearts later. I wish you would vanish into the unknown never to be seen. Wait, that’s not completely true. In this age of social media I check if you are alive by stalking you online like normal people.
Continue reading “Miss me? Not really.”
Let me make it clear from the outset The Sense of an Ending isn’t a film you watch while munching popcorn. It is a very quiet movie and every sound is important. It is also not a film you watch with giggly friends (it is not a hangout movie). Of course the name is a dead giveaway. Spoilers ahead.
Ritesh Batra has done a commendable job on adapting The Sense of an Ending into such a lovely film. Philosophical and minimalist like the book but he has redeemed Tony Webster, the unlikable protagonist at the center of it. I love that it ends on a good note, quite unlike the book which ends with unrest (and a punch to the gut). Because Barnes does not believe in redemption. A crusty curmudgeon who sees the error of his ways late in his life but that he does is enough for the audience. The film ends with hope and you carry that into your life.
The film flits effortlessly between the past and the present like the book. Nothing is spelt out in the film too, and if you can believe me, it is more enigmatic than the book; you have to read between the lines and carefully observe what is unfolding on screen to get the complete picture.
Jim Broadbent (Prof. Slughorn!) plays the retired Tony Webster. He is given a profession here as a camera shop owner unlike the book. He does something constructive with his time other than ruminating on the past, and ruining his present by trying to imagine how different scenarios would have played out. It’s what we all do from time to time but allowing it to take over your life is foolishness. Is that what you want to do with your one precious life?
Tony was delusional, unable to see things as they are; he couldn’t see it when Veronica was his college girlfriend and even now when he is an old man. Like Tony, most of us just bumble along in life and try to do the best we can. When the truth finally dawns on him, he is shattered but picks up the pieces and endeavours to do the right thing in his own way. But one’s right is another’s wrong. Continue reading “The Sense of an Ending (film)”
Like most book lovers or booknerds (I don’t mind what you call us, we are what we are) if I know the movie is adapted from a book I prefer to read the book first and I had to wait for a long time to read Speak. It has always been rewarding because I get to build the world created in the book, and that joy every book lover knows. Of course, on the minus side the movie usually (I thought of using the phrase ‘more often than not’ but now that I have read On Writing I feel King’s watching me) falls short of expectations, except the adaptation of To Kill a Mockingbird which was stellar.
I don’t know why so many people look down on YA books. Trust me there are many. What you read popular fiction?! The term pop fiction is even more hideous. What’s wrong with the term contemporary fiction? Other than classics and books written by dead writers everything else they look down upon. They deal with real things in a real and sometimes not so grim manner, and do not put people to sleep so that the target audience actually does read and understand it. I was absolutely bowled over by Speak.
Possible spoilers ahead!
Anderson is brilliant in the way she captures the voice of a teenager on the precipice of completely losing her sanity and spiralling into a quiet depression. She would have lost herself but for one person who gives her something to look forward to, hence something to live for and she stays in the land of living day after day.
I saw Speak a while ago, the movie adaptation of the very acclaimed book of the same name by Laurie Halse Anderson, starring Kristen Stewart in the lead role. Despair not, it’s nothing like Twilight (to be fair to her, Twilight fans say that’s how Bella is, in that case excellent acting ) where she has only two expressions (longing and longing) but it doesn’t translate into emotion. She is so much more than a pretty prop. Incidentally I knew that she can act having seen her in the bit role I had seen her in Into the Wild (one book I must get back to again). She emotes with her silence which speaks volumes. The movie does justice to the absolutely brilliant YA novel that deals with teenage rape and depression, alienation as a result of it, very serious issues which parents, teachers and the society at large will rather not admit exist, forget dealing with it. I kept remembering stuff from the book, the lines from the book in the screenplay and the things they missed.
Continue reading “Speak by Laurie Halse Anderson”
I found Here on Earth in a book fair I shouldn’t have gone to but went and, if gone, I shouldn’t have bought anything which was not on my to-read list, but I did (or so I thought). I saw the cover and it instantly jumped out at me. I looked inside to convince myself to buy it, and off went my resolution. Finding it was accident, serendipity or chance, I don’t know. Neither did I know that I would read it over that weekend abandoning another great nonfiction book I was reading. The name seemed familiar but I couldn’t put my finger on it till I came home. It was on my Goodreads to-read list. To think I had added it three years back and it has landed on my shelf only now, without me ever searching for it makes me want to attribute it to fate but I doubt Fate bothers itself with such puny things. Happenstance more like.
I never thought I would like magical realism, and lyrical prose usually annoys me but this was different. In a way it reminded me of The Last Song of Dusk, a book I had liked but I wasn’t too keen on reading something like that in the near future. But a fair warning, this is not a romance. It is a cautionary tale of doomed love and obsession.
When we are young we believe in so many unrealistic things, like living in a fairytalish world, where everyone gets what they deserve, and every thing works out in the end. Alas, reality isn’t so simple or straightforward. It doesn’t matter if something is fated or not. It’s how we deal with what has happened and what we ultimately do.Here on Earth makes it amply clear.
There was a line in the book, which I cannot find now (I didn’t stop to copy lines until I was near the finish line), about lions and lambs being warm blooded, which chilled me to the bone. They are not as different as the world makes them out to be. Predator and prey are their ecological roles but they belong to the same class (Mammalia). How could I, a student of biology, not have considered this fact before.
Alice Hoffman’s descriptions are otherworldly but felt so real that you want to believe every single word, and hope it doesn’t break your heart but it does. A thing which isn’t real can feel realer than the everyday reality (that we mostly choose not to dwell on). That is the power of fiction written from a honest place; I am surprised every time it shakes me up and makes me see things anew. Continue reading “The characters in Alice Hoffman’s Here on Earth”