Let me make it clear from the outset The Sense of an Ending is not a film you watch while munching popcorn. It is a very quiet movie and every sound is important. It is also not a film you watch with giggly friends (it is not a hangout movie). Of course the name is a dead giveaway.
Ritesh Batra has done a commendable job on adapting The Sense of an Ending into such a lovely film. Philosophical and minimalist like the book but he has redeemed Tony Webster, the unlikable protagonist at the center of it. I love that it ends on a good note, quite unlike the book which ends with unrest (and a punch to the gut). Because Barnes does not believe in redemption. A crusty curmudgeon who sees the error of his ways late in his life but that he does is enough. The film ends with hope and you carry that into your life.
The film flits effortlessly between the past and the present like the book. Nothing is spelt out in the film too, and if you can believe me, it is more enigmatic than the book; you have to read between the lines and carefully observe what is unfolding on screen to get the complete picture.
Jim Broadbent (Prof. Slughorn!) plays the retired Tony Webster. He is given a profession here as a camera shop owner unlike the book. He does something constructive with his time other than ruminating on the past, and ruining his present by trying to imagine how different scenarios would have played out. It’s what we all do from time to time but allowing it to take over your life is foolishness.
Tony was delusional, unable to see things as they are; he couldn’t see it when Veronica was his college girlfriend and even now when he is an old man. Like Tony, most of us just bumble along in life and try to do the best we can. When the truth finally dawns on him, he is shattered but picks up the pieces and endeavours to do the right thing in his own way. But one’s right is another’s wrong. Continue reading The Sense of an Ending (film)
The Heat and Dust Project is a travel memoir and not just a travelogue as the title says. It is about the two people who are married to each other and how their relationship changes when they are travelling through India, to discover it and themselves in the process. It is about the feel of the place and the people they meet there, more than the place itself. They themselves along with the places they visit are the main characters in their own book.
They have dared to show things as they are, and shown themselves in less than flattering light many a time. Their relationship is there for everyone to see and that can’t have been easy. Two writers in the house and both fiercely opinionated and stubborn. It must be have one hell of a writing and editing process. I, for one, would have loved to be a fly on the wall to see how it came to be the book it is.
Reading the book shortly before an impending trip, it fell into my lap at just the right time. I bought the book a few months back and hadn’t gotten around to reading it. Then one fine day it struck me that it would make a great gift for a friend of mine who has the wanderlust and frequently travels with her better half. I read the authors’ interviews to know more about them and their project and I thought I will read just the author’s note to get a feel of the book. Then to get a better idea I read the introduction and before I knew it I was reading the book.
The strange thing is, whenever I read nonfiction (which is not very often) I only want to read more nonfiction. Initially it was a slow read, I was savouring every moment and nonfiction is more powerful in the way one experiences it, probably because one feels that it is something which has actually happened, real and tangible. The writing is conversational but still literary. A good balance I thought.
Anxiety is a strange but not uncommon response to beauty. It is mostly exhibited by people with a talent for stress.
Devapriya or D as she calls herself says this when they were going gaga over the beauty in Jaisalmer and thought they might not be able to do justice to its breathtaking gorgeousity (yes that is a word). At times like these I wished the book had some photographs.
I finally found someone, to whom dusk matters and affects, in equal measure. Finally a person who has a relationship with the setting sun, a person who has revelations at dusk. And just like me, dusk is a harbinger of hope for her. How a moment captured during twilight becomes perfectly stored in one’s memory has always been a mystery to me. A marker which nature gives us every single day, to take stock of the day, to pause and reflect.
When I had started the book I was feeling lonely and unsure, everlasting solitude doesn’t seem like a good idea now that I am wallowing in it. It’s true. Everything in excess is bad and solitude in large doses can turn into melancholy, as I have often experienced. I actually shed tears seeing them begin a life changing journey. I did not know that by the time I finish I would have tears in my eyes too.
Few pages into the book, I am enjoying the journey along with them and back in my, if not happy then, content place, where I can once again live with myself. The golden days of solitude and unhurried activity. Of short naps and long silences, punctuated only by the cries of birds and the sound of wind swaying branches and rustling the dry leaves (which have a characteristic sound) and occasionally people. Now I am more accustomed to the book, attuned to its needs and it to mine. And I am excited to be travelling with them.
Continue reading Thoughts on The Heat and Dust Project- How (not) to tell a book what you feel about it
In the darkness of the movie theatre all my worries fade, the world falls back and fades to black. It’s just me and the story. Or is it?
Of late I have come into my own watching movies alone in the theatre, so I was surprised when I didn’t want to see Fitoor alone. I had asked a friend but she was busy, so here I was. I was embarrassed that I would look like some loser (we might be losers but we surely don’t want to look like one) because it would be the Valentine’s weekend. The worst time on the planet to be alone, bombarded by mush from all sides (you can only escape it on the moon) and the marketing gimmicks are scaled up to such levels that sometimes I doubt it’s a conspiracy against singletons (Thank you Bridget Jones!). If there was ever a time to declare to the world that I am happy watching movies (romantic or otherwise) alone, then the time is now.
My friend cautioned me not to go see Fitoor on Friday as I am not too fond of crowds. It was a Friday and a holiday so a crowd was expected. On Saraswati Puja, instead of paying obeisance at the feet of the goddess of learning, how was I to know that people will rush to the theatres and bow down at the altar of entertainment.
1146 a.m. A burgeoning crowd outside and the door is yet to open. And here we were irritated because the lift opened at every floor (nobody got in seeing how many people were already crammed inside). I could almost hear the collective sigh of frustration.
1150 a.m. I am in my seat. None of my seat mates (I don’t know what else to call them) have arrived and I wished no one would but it was the first day and the last four rows are always in demand.
I’m not the only one who came alone to watch a romantic movie before the V-day weekend and this fact fills me with glee. There’s a guy in the row in front of me, who’s sitting alone, nearly in the middle of the row. He will be squished by unknown people on both sides. An uncomfortable proposition. I always take the aisle seat so that one side is always empty. A guy came and sat in the seat next to me and he’s flying solo too. Continue reading When watching a movie alone isn’t what you bargained for